The elements of an
effective publishing platform for a writer, Part I
Continuing with my posts recounting craft tips from the Queens MFA Professional Development Weekend that I attended in mid-September,
let’s talk about platforms. I’m a crusty old curmudgeon, so even though I’ve been around social networking probably longer than any of you, I’m still like,
“Platforms? Really?” But yeah, it’s a thing, and you need to know about
it if you want to get published these days.
This is the first of three posts on the topic, derived
from a seminar on author platforms delivered at PD Weekend. The presenter (and,
full disclosure, close personal friend of mine) Danielle Girard, has
launched a platform that effectively uses web, social media, and ecommerce to
drive sales of her fourteen highly successful thrillers. In this post,
we’ll provide a definition of an author platform and talk a little about the
platform’s primary objective, engagement. In follow-on posts, we’ll cover the
elements of the platform and something Danielle called the brand recipe.
Platform Defined
First and foremost—and mercifully—Danielle gave us her
definition of a platform: It’s essentially your brand, delivered
to your readers through a steady flow of communications such as social media
posts, e-mail newsletters, and website updates. The key term publicists and
social media mavens use is engagement, and the idea, Danielle says, is
to be consistent without being annoying.
Engagement
Effective engagement attempts to do one or more of four
things:
- Educate
- Inspire
- Enlighten
- Entertain
Danielle was keen to point out that selling is not
one of the direct objectives of author engagement. The idea is to connect with
readers, not to separate them from their money. (That comes, if all is done
well, over time.)
And, of course, there are certainly people—too many
people, I would say—who enrage to engage. If that’s who you are, you’re
of course free to do what you will, and if you can do it while still playing
nice, more power to you. (More on that in Part II.)
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